Photo Credits: Cosmopolitan Korea KOZ Entertainment
This Cosmopolitan Korea cover story catches BOYNEXTDOOR’s Sungho and Taesan at a turning point, and the styling leans directly into that sense of new‑year momentum and ambition. The shoot frames them less as rookies and more as emerging fashion figures, using wardrobe, grooming, and attitude to suggest a quietly confident next chapter.
Concept and mood
Cosmopolitan positions the January 2026 unit shoot under a youthful, music‑driven concept, emphasizing “youth sharing the values of music and youthfulness” and signaling BOYNEXTDOOR’s rise as a generational act. The imagery moves between playful and polished, echoing the members’ own reflection that 2025 brought them “unexpected love and attention” and that they now feel in motion toward something bigger.
In their paired cuts, the mood shifts into a slightly hipper, more urban register, with body language and framing that hint at travel and forward motion for the new year. They look less like boys caught between schedules and more like young creatives in transit—stylish, a bit restless, and quietly aware of their power.
Sungho’s styling
Cosmopolitan amplifies Sungho’s naturally bright persona, styling him with a cheerful and playful energy that softens the overall fashion story. His solo cover look leans into that boyish charm through a lighter, more approachable silhouette and color sensibility, giving him the feel of a new‑year protagonist rather than a distant idol.
The makeup direction on Sungho tilts more transformative, enough that fans have called him nearly unrecognizable, underscoring how clean, even skin and subtly recalibrated features can reframe an idol’s face in print. Hair is kept controlled and editorial rather than casual, guiding the viewer’s eye to his gaze and the structure of the styling rather than any one dramatic detail.
Taesan’s styling
Where Sungho is luminous, Taesan is engineered for intensity; his solo cover centers a chic, almost cinematic gaze that anchors the entire composition. The styling works with this by sharpening lines and attitude—think sleeker shapes, darker or more distilled tones, and a slightly more grown‑up polish that pushes him further into fashion muse territory.
His grooming is deliberately clean yet expressive, with makeup that deepens the eyes and refines the complexion without dulling that focused stare. The hair reads controlled and directional, giving him the kind of “editorial lead” presence that balances Sungho’s openness when they appear together.
Unit looks and fashion narrative
In their joint shots, the clothes and composition do the work of storytelling, emphasizing a hip sensibility that hints at airport‑chic or city‑bound styling—pieces that look ready to move, rather than sit still in a studio. Layers, texture, and proportion are used to synchronize them visually while preserving their distinct energies, creating the sense of a duo that travels through both music and fashion as one line, two verses.
The wider editorial and interview underscore their current status in K‑pop’s “golden age,” with the cover signaling that BOYNEXTDOOR are no longer merely promising newcomers but chart‑validated players with global reach. References to their year‑end placements on Apple Music Korea, Amazon Music, and Spotify wrap the fashion story in metrics, making the clothes feel like a uniform for success rather than pure fantasy.
Hair and makeup by look
- Sungho solo: Bright, polished base with detail work that subtly reshapes his features; fans’ reaction suggests stronger emphasis on eyes and contour than his usual stage styling. Hair is styled to frame the face cleanly, reinforcing a fresh, almost debut‑again effect.
- Taesan solo: A cooler, moodier palette that defines the eyes and sharpens the gaze, paired with a smooth, photo‑ready complexion for a chic, almost editorial‑actor finish. Hair leans structured yet effortless, completing the composed, concentrated mood.
- Unit images: Harmonized grooming with balanced glow and soft definition so neither overwhelms the frame, allowing the hip styling and relational chemistry to carry the shot. Hair and makeup sit in the “cinematic natural” zone, ideal for a narrative about movement and new‑year departures.



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