First of all, I genuinely admire what the Korean entertainment industry has achieved. The level of planning, global strategy, branding, training systems, production quality, and understanding of international markets is honestly incredible.
It feels like Korea approached pop culture not just as art, but as something that could be engineered for global scalability from the very beginning.
At the same time, though, I sometimes feel like individuality itself has become optimized.
Not necessarily removed completely, but refined, filtered, and reconstructed through massive amounts of market data, trend analysis, fan behavior, algorithms, and branding psychology.
The final result is often extremely polished, addictive, and globally successful — but sometimes it also feels strangely impersonal, like the industry has learned how to manufacture emotional attachment at scale.
I’m not saying this as hate at all.
But another part of me misses when pop music felt slightly messier, riskier, or more human.
submitted by /u/MechanicAccording616
[link] [comments]
