Jang Haneum & Kang Woojin: Youth in Motion – Y Magazine Winter 2025 Editorial

Photo Credits: Y Magzine ES Nation WAKEONE

Jang Haneum and Kang Woojin’s feature in Y Magazine’s Winter 2025 issue (Issue 19) is a masterclass in modern Korean editorial fashion, blending the poetic spirit of youth with the sharpness of avant-garde styling. The pictorial, themed “Youth in Motion,” captures the duo in a series of dynamic and atmospheric shots that evoke both movement and stillness, a duality that mirrors their rising careers in music and entertainment.

The Concept and Backstory

This shoot coincides with Jang Haneum’s first solo fan concert, “Winter Night’s Wonderland,” adding an emotional layer to the editorial. The magazine frames their images as a visual narrative of transition—youthful dreams colliding with the realities of fame, and the beauty found in that liminal space. The pictorial is not just a display of fashion, but a story of identity and growth, with each frame contributing to a larger conversation about what it means to be young and visible in contemporary Korea.

Styling and Hair/Makeup Details

The styling, led by Kim Sungdeok, is both refined and experimental. For the first look, Jang Haneum wears a tailored, oversized wool coat in muted tones, paired with wide-leg trousers and minimalist leather boots, creating a silhouette that is both relaxed and sophisticated. Kang Woojin opts for a deconstructed blazer over a fluid silk shirt, suggesting a blend of classic and contemporary menswear. Hair by Hong Hyunseung is slicked back for Jang, while Kang’s is tousled for a more carefree effect. Makeup by Lee Sukgyeong is understated, with soft contouring and a focus on natural skin, letting the subjects’ expressions take center stage.

In subsequent looks, the styling becomes bolder—Jang appears in a cropped leather jacket with asymmetrical cutouts, while Kang dons a monochrome tracksuit with metallic accents. The hair is styled with texture and movement, and the makeup features subtle shimmer and bold brows, amplifying the editorial’s edgy undertones.


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